Ewenny Pottery - Wassail Bowl

Wassail Bowl - Swansea Museum - seen here

I've been thinking about this amazing pot kept in Swansea Museum. It's a wassail bowl made in Ewenny Pottery, south Wales in the mid 19th C. The pottery still thrives and is currently run by 8th generation potter Caitlin Jenkins. Her ancestors first began throwing pots in Ewenny in 1610, but there may have been a working pottery there even earlier as clay was first dug on the site in 1427.

The wassail bowl would have been used as part of a folk custom at Christmas time: "...Wassailing bowls were always decorated in the same way and this one has nearly all the expected traditional features...[the] Christmas tradition of carol singing door-to-door grew out of wassailing. The bowl contained mulled wine which the householder drank for good luck before adding more wine to the bowl." seen here

I have also seen a modern replica made in this style and apparently, it is a difficult thing to produce; this piece manages to have an amazing life and spirit in its making in addition to its virtuosity.

On my recent visit to Flow Gallery in London I saw this piece (below) by Kate Malone which has a strong resonance with the form of the wassail bowl although I don't know if it's intentional.

Kate Malone - seen here

Once We Were Birds

Tina Carr and Anne Marie Schöne - Sajokasa - seen here

Photographers, Tina Carr and Annemarie Schöne came into the gallery yesterday to show us some of the work that will be included in their January 2010 exhibition, Once We Were Birds. I'm really excited about the show.

Setting out at the beginning of May 2009 they journeyed from the UK to Hungary to meet, speak with, listen to and work with Roma individuals and groups. Staying on a camp site in Budapest for 6 weeks and then in a converted van parked in a Roma settlement in the north east of Hungary, they have documented a remarkable series of still and moving images of Roma communities. Their blog also follows the progress of the project.

We are lucky to have Tina and Annemarie living locally here in west Wales, their photographic projects over the last 20 years have brought a depth and poignancy to a number of issues that are fundamental to the culture of our own communities.

Coalfaces documents "...life and landscape in the ex-coal communities of Cymer, Croeserw, Glyncorrwg, Abergwynfi and Blaengwynfi. These small, scattered and tightly knit settlements grew in response to the exploitation of high quality steam coal found in the valley. Now and since the destruction of the industry thirty years ago these villages are still dealing with severe problems of adjustment. Jobs lost in pit closures have not been replaced. There is still high unemployment and many families are experiencing a third generation dependent on social security benefits."

This project took 18 years to bring to print as a book - the launch was at The National Library of Wales in 2008.

Tina Carr and Anne Marie Schöne - Croeserw Amateur Boxing Club - seen here

My favourite series of their work is Abandoned,"...a still life series; intimate studies of abandoned homes, barns and places depicting a rural way of life in West Wales that has almost disappeared. This world is explored with almost forensic intensity."

Tina Carr and Anne Marie Schöne - Horns - seen here

Watch this space for more about Once We Were Birds...

More Nick Cave....

Nick Cave - Soundsuit - seen here

Just because this is such a delightful image....

Nick Cave

Nick Cave - Soundsuit - seen here

Nick Cave - complete art hero! This is from his 2009 series of work shown at the Jack Shainman Gallery in New York. It made me think of this photo of a Navajo ceremonial mask.

Navajo mask - seen here

Arthur Giardelli

Arthur Giardelli - Dwellings 1999 - seen here

I was so sad to hear of the death of Pembrokeshire based artist Arthur Giardelli on 2 November. I never had the privilege of meeting him, but I know from those who have that he was an amazingly wise and gentle man. He was born in 1911 in London, so he reached the very grand age of 98. He settled in west Wales in the 1940's and contributed hugely to the arts through education work; with the 56 Group Wales of artists and the Contemporary Art Society for Wales. He was a committee member of the Arts Committee of the Arts Council of Wales from 1965 - 75.

I have often heard tales of Giardelli's amazing personal collection of modernist works from artists he had met in Paris such as Picasso, Braque and Dubuffet and his friends Ceri Richards and David Jones amongst many more.

Most importantly, however is the legacy of Giardelli's own work, especially his constructions and assemblage. Made in relief on panels the work uses found materials such as shells, slate, wood and hessian and reflects his love of the coast, the rhythms and tides of the seashore; still powerfully resonant. He continued working to the end of his life. We were lucky to be able to show some of his work in the gallery in 2008 as part of 56 Group Wales show All of These Things.

I like this piece in Giardelli's own words: "...the visual elements which I wished to compound had to do with tides running over wide stretches of sand, slate, mist, whitewash, stone walls, driftwood, flights of starlings or oyster catchers. I could find no better way of getting the tone of slate into my work and it's characteristic kind of break than by making the pictures of this material. So the slate became headland, or the grey sea or sky. I turned spars and oars I picked up on the beach, sliced up with my saw, into flights of birds swooping away from me at dusk. From shell dust, cork from fisher men's nets, driftwood and bits of brass cut from taps that leaked, I made images of arrows of foam which trail behind incoming breakers. I was given all kinds of things people didn't want any more: a piano, cartwheels, broken furniture, brooms, snapped spade handles; and I worked with them. I learnt the magic of the medium: to make the sun out of yellow mud."

Culture Colony have a wonderful video of curator David Moore talking with Arthur Giardelli at his home - inspiring and uplifting to watch!

Kaori Tatebayashi

Kaori Tatebayashi - Collar - seen here

We have some new ceramics in the gallery from Kaori Tatebayashi - perfectly wonky, artfully imperfect domestic tableware.

Kaori Tatebayashi - ceramic tableware - seen here

I particularly like her hand built stoneware sculptures of clothing and domestic objects - white, unspeakably fine; melancholic. Ghost-like, but solid and brittle - calcifying the everyday nuances of objects into fragile memorials.

A Winter's Tale - Oriel Myrddin Gallery

Oriel Myrddin Gallery - A Winter's Tale

The winter show has opened at Oriel Myrddin Gallery, called A Winter's Tale, it features artists and makers who use ideas of story and narrative in their work. I feel very privileged that I was asked to contribute some work. I am showing a small series of works on paper and a new collection of recently made jewellery.

Kathryn Campbell Dodd - Hoodie 3

Kathryn Campbell Dodd - Charm for the Good Red Road

My favourite pieces in the show are from North Wales based artist, Steffan Jones-Hughes. I am totally enchanted by his Memento series of prints within mussel shells, such a beautiful concept. I've bought a series of three for an early Christmas present.

Steffan Jones-Hughes - Mussel Memento - photo: Steffan Jones-Hughes

Katy Nicola Moloney, a Swansea based jeweller, is also showing and I really like her narrative/domestic pieces. If I could chose, I'd have this lovely copper and enamel Welsh dresser brooch. I also like the humour of her plate and dome rings.

Katy Nicola Moloney - A Very Welsh Dresser - seen here

Katy Nicola Moloney - Just a Slice and After Dinner rings - seen here